moca:
Hans Haacke, Condensation Cube, 1963-1965
(via tomfordvelvetorchid)
『男踏歌』|Men’s Stomping Dances (Otoko dōka) by Kitagawa Utamaro, Asian Art
Purchase, Mary and James G. Wallach Family Foundation Gift, in honor of John T. Carpenter, 2013 Metropolitan Museum of Art, New York, NY
Medium: Woodblock printed book; ink and color on paper
(via rijksmuseum-art)
Five Figures on Porch by Qiu Ying, The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Room 16, South Wall
Medium: Chinese black ink and heavily applied pigments on silk
Robert Gober, Butter
Untitled , 1993 - 1994, beeswax, wood, glassine and felt-tip marker pen ink, overall : 24.1 x 121.3 x 101.6 cm
Cindy Sherman, Untitled, 1991, Printed silk, padded, in gilded wooden frame. 8 ¼ x 6 ¾ in. (21 x 17.1 cm). Signed and numbered on verso. This work is from an edition of 100.
(via gallowhill)
The single greatest and most fascinating “futurist” architecture movement in the world right now is happening in Bolivia, where national prosperity and a dedication to works for the poor and public housing led to an explosion of colorful styles inspired by Aymara Indian art. There should be more articles about this, the interiors are just as amazing. Incidentally, most of these buildings are not for the rich or in trendy neighborhoods, but are public housing. I’ve heard this style referred to as “Neo-Andean” but like most currently thriving styles it doesn’t have a universally agreed on name yet.
(via zodiacbaby)
Martin Kippenberger, exhibition Kippenberger meets Picasso in Malaga, Untitled 1996